The brand new CBS All Entry collection Star Trek: Picard options the return of the enduring character Captain Jean-Luc Picard, final seen within the 2002 movie Star Trek: Nemesis. Science fiction creator Daniel H. Wilson was happy to see Patrick Stewart return to the Star Trek universe.
“As an actor, he’s bought that character dialed in,” Wilson says in Episode 408 of the Geek’s Guide to the Galaxy podcast, “and I believe that it offers a lodestar for the collection, as a result of irrespective of what number of logical issues don’t make sense, Picard himself will at all times make sense, as a result of Patrick Stewart is aware of this character, he embodies this character, and he isn’t going to guide anyone astray.”
The brand new collection attracts closely on the Star Trek: The Subsequent Era episode “The Measure of a Man,” written by Melinda Snodgrass, through which Picard struggles to uphold the rights of his robotic buddy Information. Snodgrass loved seeing Picard nonetheless preventing that very same battle after so a few years.
“It jogged my memory of Don Quixote,” she says, “the previous man being cared for by people who find themselves saying, ‘Don’t do this. You’re being silly.’ And he goes off to tilt at windmills and have an important journey, and the windmills on this case are Starfleet and the Romulans and all the remainder of it. Should you attempt to consider this present as completely nearly one previous man’s journey to seek out function on the finish of his life, then I believe all of it begins to make some sense, by way of the themes of it.”
In distinction to Star Trek: The Subsequent Era, which portrays Picard because the unflappable chief of a loyal, skilled crew, the brand new collection presents a Picard whose life is stuffed with errors and regrets, and whose new crew is very dysfunctional. Geek’s Information to the Galaxy host David Barr Kirtley thought that shift sacrificed a number of the distinctive taste of Star Trek.
“The concept that it is a higher future the place individuals get alongside higher actually caught with me,” he says, “and watching this new present—I imply, I loved it rather a lot—however I felt prefer it had extra of the tone and extra of the characters of Firefly or one thing, which is completely nice, however is simply not the way in which I keep in mind Star Trek.”
However author Sara Lynn Michener felt that highlighting Picard’s flaws was a mandatory step within the improvement of the character. “In actual life, this man would have faults,” she says. “In actual life, there can be individuals round him who would really feel jilted by the shortage of his consideration, who would really feel like he had moved previous them, and be damage by that. So I actually like the truth that they’re exploring features of his character that have been at all times there should you have been paying consideration, however they by no means actually introduced them to the floor.”
Hearken to the whole interview with Daniel H. Wilson, Melinda Snodgrass, and Sara Lynn Michener in Episode 408 of Geek’s Information to the Galaxy (above). And take a look at some highlights from the dialogue under.
Melinda Snodgrass on writing “The Measure of a Man”:
“I fell in love with the Information character, and I spotted that there was an notorious Supreme Court docket resolution known as Dred Scott, which might actually be on level for whether or not Information has rights—is he an individual or is he the property of Starfleet Command? I knew it was a good suggestion, and [George R. R. Martin] had warned me that I'd by no means promote that spec script, since you by no means do promote your spec script, and I used to be going to carry off on writing that one and put it aside for a pitch, and George stated to me, ‘Melinda, by no means hoard your silver bullet,’ that means lead together with your neatest thing. So I wrote ‘The Measure of a Man,’ they usually not solely purchased the script, they then ended up hiring me onto the present for half of the second and the entire third season.”
Daniel H. Wilson on robots:
“This entire collection is absolutely spurred by Picard’s love for Information, and this concept that Information had a toddler. And simply from a robotics perspective, that didn’t utterly persuade me. There’s this nice Cory Doctorow story about this, the place a father has a daughter who uploads herself and mainly will get replicated a thousand occasions. And also you understand, ‘What does love imply when there’s a thousand copies of your daughter?’ … Information was a singular form of entity, and this concept {that a} piece of him was copied—there may very well be 1000's of those synths on the market. So for me it didn’t have that human weight that was actually mandatory to elucidate every part else that’s taking place in the course of the collection.”
Daniel H. Wilson on optimism:
“There’s a lot science fiction that's so darkish and explores the detrimental outcomes of know-how and science. I wrote Robopocalypse, and all of the horrible issues that may occur occur, in there, and once I assume past that, about how you can get a extra advanced story, and actually study what it means to be human, and take into consideration robots and folks and simulated life, Star Trek is absolutely one of many few beacons that I can level to that has any form of optimism about know-how or humanity, and it's the DNA of it. And possibly it’s at its finest when it’s darkish, nevertheless it’s definitely not at its most unusual, as a result of that's the reason Star Trek endures, is that it’s totally different from all the opposite science fiction that’s simply so detrimental.”
Sara Lynn Michener on Seven of Nine:
“I truly stopped watching Star Trek: Voyager when the episode got here on the place she was revealed to the crew, as a result of she went from being this newly discovered Borg—unsocialized, completely has no thought how you can be a human—they usually instantly put her in stilettos and a skin-tight compression swimsuit. It was simply the silliest factor. It broke the fourth wall. It was so foolish, particularly the stilettos. After which that they had this entire factor the place the physician was the one who got here up with the stilettos. ‘Oh, I picked what I believed can be comfy for you.’ Bullshit. … So the truth that we might see Seven not solely personal her trauma, and have a sensible response to it, but in addition simply be wearing sensible garments made me extremely comfortable.”
“As an actor, he’s bought that character dialed in,” Wilson says in Episode 408 of the Geek’s Guide to the Galaxy podcast, “and I believe that it offers a lodestar for the collection, as a result of irrespective of what number of logical issues don’t make sense, Picard himself will at all times make sense, as a result of Patrick Stewart is aware of this character, he embodies this character, and he isn’t going to guide anyone astray.”
The brand new collection attracts closely on the Star Trek: The Subsequent Era episode “The Measure of a Man,” written by Melinda Snodgrass, through which Picard struggles to uphold the rights of his robotic buddy Information. Snodgrass loved seeing Picard nonetheless preventing that very same battle after so a few years.
“It jogged my memory of Don Quixote,” she says, “the previous man being cared for by people who find themselves saying, ‘Don’t do this. You’re being silly.’ And he goes off to tilt at windmills and have an important journey, and the windmills on this case are Starfleet and the Romulans and all the remainder of it. Should you attempt to consider this present as completely nearly one previous man’s journey to seek out function on the finish of his life, then I believe all of it begins to make some sense, by way of the themes of it.”
In distinction to Star Trek: The Subsequent Era, which portrays Picard because the unflappable chief of a loyal, skilled crew, the brand new collection presents a Picard whose life is stuffed with errors and regrets, and whose new crew is very dysfunctional. Geek’s Information to the Galaxy host David Barr Kirtley thought that shift sacrificed a number of the distinctive taste of Star Trek.
“The concept that it is a higher future the place individuals get alongside higher actually caught with me,” he says, “and watching this new present—I imply, I loved it rather a lot—however I felt prefer it had extra of the tone and extra of the characters of Firefly or one thing, which is completely nice, however is simply not the way in which I keep in mind Star Trek.”
However author Sara Lynn Michener felt that highlighting Picard’s flaws was a mandatory step within the improvement of the character. “In actual life, this man would have faults,” she says. “In actual life, there can be individuals round him who would really feel jilted by the shortage of his consideration, who would really feel like he had moved previous them, and be damage by that. So I actually like the truth that they’re exploring features of his character that have been at all times there should you have been paying consideration, however they by no means actually introduced them to the floor.”
Hearken to the whole interview with Daniel H. Wilson, Melinda Snodgrass, and Sara Lynn Michener in Episode 408 of Geek’s Information to the Galaxy (above). And take a look at some highlights from the dialogue under.
Melinda Snodgrass on writing “The Measure of a Man”:
“I fell in love with the Information character, and I spotted that there was an notorious Supreme Court docket resolution known as Dred Scott, which might actually be on level for whether or not Information has rights—is he an individual or is he the property of Starfleet Command? I knew it was a good suggestion, and [George R. R. Martin] had warned me that I'd by no means promote that spec script, since you by no means do promote your spec script, and I used to be going to carry off on writing that one and put it aside for a pitch, and George stated to me, ‘Melinda, by no means hoard your silver bullet,’ that means lead together with your neatest thing. So I wrote ‘The Measure of a Man,’ they usually not solely purchased the script, they then ended up hiring me onto the present for half of the second and the entire third season.”
Daniel H. Wilson on robots:
“This entire collection is absolutely spurred by Picard’s love for Information, and this concept that Information had a toddler. And simply from a robotics perspective, that didn’t utterly persuade me. There’s this nice Cory Doctorow story about this, the place a father has a daughter who uploads herself and mainly will get replicated a thousand occasions. And also you understand, ‘What does love imply when there’s a thousand copies of your daughter?’ … Information was a singular form of entity, and this concept {that a} piece of him was copied—there may very well be 1000's of those synths on the market. So for me it didn’t have that human weight that was actually mandatory to elucidate every part else that’s taking place in the course of the collection.”
Daniel H. Wilson on optimism:
“There’s a lot science fiction that's so darkish and explores the detrimental outcomes of know-how and science. I wrote Robopocalypse, and all of the horrible issues that may occur occur, in there, and once I assume past that, about how you can get a extra advanced story, and actually study what it means to be human, and take into consideration robots and folks and simulated life, Star Trek is absolutely one of many few beacons that I can level to that has any form of optimism about know-how or humanity, and it's the DNA of it. And possibly it’s at its finest when it’s darkish, nevertheless it’s definitely not at its most unusual, as a result of that's the reason Star Trek endures, is that it’s totally different from all the opposite science fiction that’s simply so detrimental.”
Sara Lynn Michener on Seven of Nine:
“I truly stopped watching Star Trek: Voyager when the episode got here on the place she was revealed to the crew, as a result of she went from being this newly discovered Borg—unsocialized, completely has no thought how you can be a human—they usually instantly put her in stilettos and a skin-tight compression swimsuit. It was simply the silliest factor. It broke the fourth wall. It was so foolish, particularly the stilettos. After which that they had this entire factor the place the physician was the one who got here up with the stilettos. ‘Oh, I picked what I believed can be comfy for you.’ Bullshit. … So the truth that we might see Seven not solely personal her trauma, and have a sensible response to it, but in addition simply be wearing sensible garments made me extremely comfortable.”
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